Sonia Rykiel's 7 Most Memorable Fashion Trends, In Honor of her Death

French designer Sonia Rykiel, having lost her long battle with Parkinson’s disease, has died in Paris at the age of 86. Known as the Queen of Knitwear, her whimsical designs reached well beyond the classic sweater and were a true reflection of both her bold personality as well as fiery red hair. Rykiel was a pioneer in the world of fashion, taking a feminist stance through clothing and design, believing that fashion should be empowering and liberating, not restrictive and conforming. Rykiel will forever be honored as an icon in the fashion industry. Here are just a few of the many reasons why.
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Audrey Hepburn was an early—and forever—fan of the designer, not only photographed for magazines in Rykiel’s designs, but also stocking her own wardrobe full of pieces from the Paris boutique. She reportedly visited the store when it first opened and bought 14 knits (one in each color), in one fell swoop.
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Rykiel has left her indelible mark on the fashion world with countless trends for which we have her to thank. First, of course, is slim ribbed knits, but there are so many styles that are oh-so Rykiel. Her designs constantly feature bright and bold lip prints, or some similar form of whimsy; runway looks have been known to include a rainbow of hosiery, scarves, and hats; and—always—stripes reign supreme. Think: Paris in the ‘70s, and you’re well on your way to becoming the ultimate Sonia Rykiel girl. The designer herself is quoted as saying, “I invented everything in the Seventies. Sweaters without shoulders; quilted jackets; showing inside seams outside.”
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Having started her career with a sweater, it became what she was known for. Shrunken and ribbed was her signature style and she was named the Queen of Knitwear by WWD. Beyond her initial solid and stripes, she quickly began—literally—using her knits to make a statement, as one of the first designers to cover her pieces in words like “mode” and “amour”.
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Rykiel was a pioneer for modern women’s fashion. She once told WWD, “Since I didn’t know anything, I did everything I wanted. I didn’t listen to anyone. I was so violent, so authoritarian, only listening to what I wanted and myself. People loved me or hated me. Those who loved me, loved me a lot. The others, I didn’t bother with them very much.”
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Rykiel’s pieces were made with wear-ability in mind. She designed many garments to be reversible, getting rid of seams that would prevent them to work double-duty. Additionally, she often produced pieces like culottes that gave the feminine illusion of a skirt, but the ease of movement that pants provide.
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To make a statement about wearable fashion, Rykiel staged a show in 1978, in which she styled her own clothing along with those pieces from other designers on the runway. In 1987, she told The New York Times, ‘[My typical patron] is fragile, but strong. We are working women. Also, we have the problem of children, of men, to take care of our houses, so many things. I try to explain that in my clothes. They are clothes for everyday life.”
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